CUTTER AND COOTA

BY BRUCE PASCOE

World Premier presented by Moogahlin Performing Arts and Sydney Living Museums at Hyde Park Barracks, Sydney

SCHOOL HOLIDAYS

Thursday 6 October, 10am–11am RAINED OUT
Thursday 6 October, 1pm–2pm RAINED OUT
Friday 7 October, 10am–11am RAINED OUT
Friday 7 October, 1pm–2pm
Saturday 8 October, 10am–11am
Saturday 8 October, 1pm–2pm RAINED OUT

SCHOOL SHOWS 11 - 14 October

CLICK HERE FOR HOLIDAY BOOKINGS

Experience the unlikely bond of Cutter, an ambitious Rat, and Coota, a compassionate Bandicoot, as they find freedom and friendship and shed light on the colonial history of the Hyde Park Barracks.

Written by Bruce Pascoe and presented in association with Moogahlin Performing Arts on the grounds of the UNESCO World Heritage listed Hyde Park Barracks, Cutter and Coota explores themes of sustainability, colonisation, and how we care for Country.

Pictured above: Jesse Grant as Coota. Image by Jamie James.

CLICK HERE FOR SCHOOL BOOKINGS

TICKETS

Adult: $25
Child: $25
SLM Member Adult: $20
SLM Member Child: $20
Family of 3: $63.75 (1 Adult + 2 Children OR 2 Adults + 1 Child)
Family of 4: $85 ( 2 Adults + 2 Children OR 1 Adult + 3 Children)
Babe in arms: 3 years and under free

Video and images by Stephen Wilson Barker

CREATIVE & production TEAM

Bruce Pascoe - Playwright

Abbie-lee Lewis - Director

Jesse Grant - Coota

Mema Munro - Cutter

Billy McPherson - Cat, Uncle Water Rat, Briton

Karen Norris - Lighting Design

Linda Kennedy - Set Design

Rhyan Clapham - Sound Design

Djirri Desmond - Costume & Props Coordinator

Lily Shearer - Dramaturg

Corrine Shepherd - Project Producer

Amber Silk - Production Manager

Michael Weir - Stage Manager and Additional Sound

Jade Walker - Production Assistant

ETB Engineering - Set Fabricator

DPLR - Technical and Crew

Moogahlin Performing Arts

Natano Fa’anana - Producer

Ali Murphy-Oates - Managing Director

Stephen Wilson Barker - Digital Producer

SUPPORTERS

The presentation of this work is supported by Create NSW, Australia Council for the Arts, the Copyright Agency Limited’s Cultural Fund, and the Department of Theatre and Performance Studies, the University of Sydney.

Special thanks to Dalara Williams, Phoebe Grainer, and Guy Simon for their work on the development of the script, and to Uncle Chicka Madden, Uncle Mathew Doyle, Richard Manner, and Bush to Bowl for their support of the Production.